Kevin Bauman
Monday, August 31st, 2009Following my previous post about the High Tech Soul documentary, I keep finding myself sitting up late at the computer digging up various images and accounts regarding the degeneration of Detroit. One of the many stories that stood out was that of the Michigan Central Station, which in turn lead me to the photography of Kevin Bauman…





“When built in 1913, the Michigan Central Station was the world’s largest train station. The station was built fairly far from the downtown, with the hopes that it would anchor further development in the area. The station was used heavily through World War II, though the Great Depression slowed development in the city. Michigan Central Station saw declining usage shortly after. Unfortunately the station was never even filled to capacity with several upper floors never being used.
The station finally closed for good in 1988. It has stood empty ever since, and after years of neglect and deterioration, the Detroit City Council has voted to demolish the historic building, and bill the owner, Matty Moroun, for the costs.”
The above images and text where taken from a project page of Kevins on Behance Network, click here to view the entire set. Also via his Behance profile you will find a set of various night scenes from metro Detroit and his 100 Abandoned Houses project.
You can browse the full selection of Kevins work at www.kevinbauman.com/
High Tech Soul Documentary
Friday, August 21st, 2009I’ve just been revisiting the DVD of this 2006 documentary, available to watch online via youtube.

This is to some extent a compressed interpretation of Dan Sicko’s book, Techno Rebels which comes highly recommend if you’re into the subject matter (a revised edition of which is apparently in development although the last update on that appears to have been in April).
Techno and it’s early roots in Detroit are the focus here. Unlike Sicko’s book which I remember as relatively reserved in it’s accounts, this initially suffers a little from the barrage of overwhelming ego’s on parade. There’s some pretty bold and potentially quite questionable statements being thrown around regarding certain individuals views on what techno is and who’s ultimately responsible for it, the kind of conclusions I would prefer to draw later for myself as opposed to being fed as an introduction. Don’t let this put you off though as it’s by no means a deal breaker and easily explained as an inevitable consequence of the level of passion involved.
It’s an informative story on a number of levels. A big highlight for me being the inclusion of academic Jerry Herron with his accounts of the city’s social and economic history of the last 50 years and it’s role in shaping the circumstances and environment in which all this could manifest.
If you’re not a fan of techno I would still suggest you give this a go. You may be pleasantly surprised and if it leads you onto the book, there’s a whole other level of in-depth and worthwhile material to be explored there in regards to creative drive and progression in general.
From Plexifilm…
“HIGH TECH SOUL is the first documentary to tackle the deep roots of techno music alongside the cultural history of Detroit, its birthplace. From the race riots of 1967 to the underground party scene of the late 1980s, Detroit’s economic downturn didn’t stop the invention of a new kind of music that brought international attention to its producers and their hometown.
Featuring in-depth interviews with many of the world’s best exponents of the artform, High Tech Soul focuses on the creators of the genre — Juan Atkins, Derrick May, and Kevin Saunderson — and looks at the relationships and personal struggles behind the music. Artists like Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of others explain why techno, with its abrasive tones and resonating basslines, could not have come from anywhere but Detroit.”
Kenichi Hoshine
Wednesday, August 12th, 2009A little tired and overwhelmed today. What started out as a really sunny morning has now turned pretty bleak and gloomy. It’s not all bad though, plenty of coffee and a dig through old bookmarks has led me back to these beautiful paintings by Kenichi Hoshine…






I’ve no idea when I originally made the note about featuring these or how it slipped through the net, they’ve chosen a good day to resurface though.
For more images, news and prints visit www.kenichihoshine.com
Klic: mix and E.S.T edit
Thursday, August 6th, 2009Greymatter passed me this mix by Klic (Brighton based Ned Pegler) a while back, when I was trying to get comfortable with the idea of Dubstep as a genre and not just a handful of interesting tracks. I was picking up occasional releases on 3024, Hessle Audio, Applepips, etc that were blowing me away but feeling pretty uninspired by a lot of other stuff kicking about in that area. This mix by Ned was a solid fifty minutes of good stuff and a tight example of the deeper material out there…
Then a few months back Graham came through again, this time on his Unique Uncut label with Klics debut release… a two track digital release with the same depth and restraint that had me hooked on the mix above. I’ve been harassing G about how this needs a vinyl release and with a bit of luck we’ll see some wax turn up in the future but in the meantime if you’re into the mix, you can do a good thing by supporting these guys and picking up a copy online here.
As if that’s not enough to get involved with, how about this slick edit of Esbjörn Svensson Trio?
Use the arrow in the right hand panel of each player to download mp3s of both the mix and the E.S.T edit. Respect to Ned for letting me share this stuff with the rest of you and big thanks to Greymatter too for putting me in the loop.
Make It Count: Chapter 1
Monday, August 3rd, 2009I’ve been looking forward to this… the first chapter of a four part film, telling the story behind Element. From it’s early roots as an offshoot of New Deal, to the global brand it is today.
“MAKE IT COUNT is a four-part documentary, which showcases Element’s defining moments and delves into its compelling story. From its humble beginnings, to a forward thinking global brand, this film covers two decades of stories and imagery.
In creating Chapter 1 of 4, “WIND” Kirk Dianda (director) followed Johnny Schillereff (Element founder & president) and dug into his history, interviewing the very people that have shaped his life and the company. The opening and closing sequences give you a small taste of the diverse community of people interviewed for the entire project, topics covered, and nostalgia that was un-earthed.”
The remaining three chapters are to be released on the first of each month. Use the button on the bottom right of the player to view full screen. Alternatively, you can watch and download in medium and high resolution here.











