Archive for the ‘Fine Art’ Category

 
 

Multilink presents… Capsule 01 Art Book

Friday, January 1st, 2010

After several months of planning and assembly I’m pleased to announce the release of Capsule 01, a collection of art from some of my favourite international image makers and the first in a series of Multilink related print projects…

Capsule 01 pile

 
Let me begin by making it clear that the Capsule series is in no way intended as a replacement for the online magazine (which is still due to return in the near future), serving instead as a physical extension with it’s own functionality and agenda in line with the nature of the format. To explain a little further…

Since publishing the first digital issue of Multilink Magazine people have often enquired about a print version and expressed an interest in getting their hands on the featured artwork in a more tangible format. There’s a number of reasons why the magazine has always made more sense to me in a digital format both in terms of production and distribution as well as the flexibility needed to accommodate the diversity of what’s been featured in each issue. That’s not to say I don’t fully appreciate the desire to interact with content away from the computer sometimes. There’s so much to soak up online that it’s often hard to really give things the level of attention they deserve and regardless of what quality monitor you use it never really feels the same as leafing through well printed pages on a nice weighty paper stock.

Imaone

 
Multilink Magazine has always been a purposely chaotic mixture of people and ideas across as wide a variety of disciplines as possible. The idea is to celebrate the diversity of creativity while at the same time trying to highlight the common fundamentals involved. This has meant issues of various sizes are released at irregular intervals, one of many logistical considerations that alongside the fluid nature of the content in each issue really doesn’t sit too well with the kind of unavoidable financial model required to produce and distribute a project in print.

Capsule has been conceived as a high quality and collectible series of art books and prints that span the same diversity of visual culture found in the free online magazine without the editorial. Many of the same principles remain in place such as the variety of content and desire to elevate some incredible talents, generally operating beneath the popular radar. But where the online magazine is a platform for all kinds of creative endeavours, these books and prints provide a more focussed catalog of art and illustration. High production standards have been a key consideration and considering what we’ve achieved with the magazine in it’s ‘virtual’ environment I’ve been keen to ensure that the physical quality of the end product justifies the move to a manufactured format. On a similar note, I’m happy to say that we’ve kept tightly in line with all FSC standards, using environmentally sound inks and paper from well managed forests and other sources. It was essential from the start to try and make the books as affordable as possible and collectible over time forming a much larger resource and archive. With that in mind they all feature an extra durable PUR binding to ensure you won’t find pages starting to drop out over the coming years. You can also open them up nice and wide too without worrying about any disturbing cracking sounds from the spine.

Alex Young

 
So enough introduction from me, follow the link below (or in the left hand menu) to see more details of who’s in the first volume. It’s currently available direct via our new online shop and will soon be joined by some initial limited prints from this volume and a handful of other non-Capsule related items that will also appear here on the blog in the coming weeks.

If you’re having any problems with the order process or have any questions at all, don’t hesitate to drop me an email via the address on the info page or via the contact page on the shop.

A new online issue of Multilink Magazine is incoming too I promise so please do keep checking back.

For more details and to order a copy at £7.99 click here.

 
 

Shohei Otomo

Monday, October 12th, 2009

Ball-point pen on paper illustrations by Shohei Otomo…

It’s been a while since I last looked at this stuff and made (then promptly lost) the mental note about posting it here, so big thanks to the good people over at the Nice Produce blog for posting it there and jogging my memory.

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You can see more of Shohei’s work on his site… here.

Interesting stuff to look at on his blog too, probably a lot more interesting if you can read Japanese though.

 
 

Kenichi Hoshine

Wednesday, August 12th, 2009

A little tired and overwhelmed today. What started out as a really sunny morning has now turned pretty bleak and gloomy. It’s not all bad though, plenty of coffee and a dig through old bookmarks has led me back to these beautiful paintings by Kenichi Hoshine…

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I’ve no idea when I originally made the note about featuring these or how it slipped through the net, they’ve chosen a good day to resurface though.

For more images, news and prints visit www.kenichihoshine.com

 
 

Andy Howell interview

Thursday, July 30th, 2009

There’s a great interview with Andy Howell over at Slap magazine featuring his video part from Useless Wooden Toys and a selection of artwork.

howell_light

I had a music post prepared for today but something exciting is happening tomorrow which I’m hoping this Howell interview may (loosely) work as a primer for. Check back Sunday / Monday for details.

Andy Howell interview at Slap magazine.

 
 

Beat13 / Lucy McLauchlan: Tacit

Sunday, June 28th, 2009

I’m well overdue posting some of Lucy McLauchlan’s beautiful work here. The video below is a few months old now but thanks to a morning spent catching up on various feeds (respect due to Club Mumble on this one), I’m reminded how much I love it…

“A short film directed by Matt Watkins featuring Lucy McLauchlan’s improvised painting process and the harvesting of urban detritus. Tacit was filmed between locations in Birmingham and Walsall Art Gallery.

The soundtrack was composed, performed and recorded by McLauchlan and Watkins with a circuit bent broken radio and a ‘prepared’ piano in the reception of Birmingham’s Custard Factory.”

You can see more of Lucy’s artwork at the Beat13 website